actor

Solo juntos (…) “The show that Lucio Baglivo performed is genius and it will cheer up the audience´s life who s got to be so lucky to enjoy it. In my opinion “Solo Juntos” brings together quality and commercial awareness”. (…)

Emilio TenorioEter 6/2015

Ciclón (…) “Because “Ciclón” speaks more of his own interior storm that an atmospheric contingency the rain and wind sweeping can be heard but it is a metaphorical warning of the artist´s moral debate. The purpose is clearfrom the second scene and the dancer seems to say. “Here I am and this is me nude”. Although the artistic naked as such doesn´t come until de final scene, as a trip to the seed from a chrysalis a metamorphosis of openness to the image in all its beauty. It´s lyrical power or beginning of an adult journey: it is the best moment of the evening both body movement and for its bloom. (…) Focuses on Baglivo and histrionics or acrobatic skills (in both aspects he moves with case). It plays to seller finding justification in the pursuit of objets ranging from the everyday to the surreal, all worth in order to complete the trip and providing adequate range of references.”

Roger SalasEl País, 8/2011

No land (…) “Solos and dues trives in occasions all of them interesting ones some a great excellence (…) One of the shows that will remain in my memory. Hifhly recommended” (…)

Emilio TenorioEter 2/2014

No land (…) “Tireless and exhausting with risky moment in the movement and in the visual area achieving a great result. No land is a veri good work for this year´s Festival”. (…) Lucio Baglivo is already a value in the Madrid´s contemporany dance area. And it´s been a while now since he´s giving dynamic and power to hisfour dance”.

Julio CastroLa república cultural, 9/2013

“The combination of his skills as an acrobat, dancer, and actor has hallowed him to develop a unique artistic language that connects emotionally and phisically with the audience. I am confident that Lucio has a promising future as a choreorapher and director.”

Robert WilsonDramaturgo y director, 10/2013

Love in fall (…) “When it´s time to focus on the mohre physycal part of the work both performers know how to get their work done, envolving froman apparently very distant point of dance, to get to the reason why we are in this theatre. They take advantage of the wholespace dividing it according to each scene and every instant of the story using different lightning designs. We are in the presence of a place of disencounter for conventionalisms a place where you can laugh and enjoy the theatre, the dance and the ideas.

Julio CastroLa república cultural, 7/2012

No Land (…) “is a choreography with very interesting figures, with a music that has it´s own force. And a wardrobe of prize so original as powerful in its drawing and utilization. Baglivo is considerably beller in this new work which significally turns out to be an evident change”

Roger SalasEl País, 9/2013